Much more popular than either of these was another melodrama with Arliss and Granger, Love Story (1944), where she played a terminally ill pianist. She is survived by her children with Clark, Nick, Lucy and Katharine, and her son, Tim, from a previous relationship. By Brittany Brolley / Updated: Feb. 2, 2021 6:14 pm EST. "Because the term 'beauty marks' has an aesthetic connotation, we generally tend to call moles on the face beauty marks, while the same exact mole elsewhere on the body is just called a mole," Schultz clarified. Miss Lockwood's family would not disclose the . [21] Her return to acting was Alibi (1942), a thriller which she called "anything but a success a bad film. Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). "[14], Gaumont British had distribution agreements with 20th Century Fox in the US and they expressed an interest in borrowing Lockwood for some films. [24] She was featured alongside Phyllis Calvert, James Mason and Stewart Granger for director Leslie Arliss. Search instead in. But, just what is a beauty mark anyway? Her first moment on stage came at the age of In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. When asked about this, he referred to the foul grimace her character Julia Stanford readily expressed in the TV play Justice Is a Woman. According to the American Academy of Dermatology, there are severalkinds of birthmarks, but each one fits into just two main groups: pigmented and vascular. She was 73 years old. It made her determined to be up on stage herself, flying through the air and fighting the pirates. Hey Friend, Before You Go.. She returned to the role a year later before achieving her dream of starring at the Scala as Peter Pan herself four times (1959, 1960, 1963 and 1966). That's not to say all faux beauty marks went out of style. Her profile rose when she appeared opposite Maurice Chevalier in The Beloved Vagabond (1936)[4]. She was a warden in The White Unicorn (1947), a melodrama from the team of Harold Huth and John Corfield. It also helps other women with beauty marks to have an ally with which to identify. Who knew the social science behind moles could be so complicated? When I marry, I shall have a large family. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. I like having familiar faces that recognize me. A three-time winner of the Daily Mail Film Award, her iconic films 'The Lady Vanishes', 'The Man in Grey' and 'The Wicked Lady' gained her legions of fans and the nickname Queen of the Screen. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). For other people named Margaret Lockwood, see, Margaret Lockwood in Cornish Rhapsody which comes from the British War Time Film "Love Story" and starred Margaret as a lady concert pianist. An atmospheric ghost story based on the 1940 novel of the same title by Osbert Sitwell, it stars James Mason, Barbara Mullen, Margaret Lockwood, Dennis Price and Dulcie Gray. ), British actress noted for her versatility and craftsmanship, who became Britain's most popular leading lady in the late 1940s. Cinema Personalities, pic: circa 1949, British actress Margaret Lockwood, a leading lady one of the cinema's most popular villianesses of the 1940's British actress Margaret Lockwood plays outdoors with her 5-year-old daughter Julia, who later followed her mother into show business. Popular British leading lady of the late 1930s who became England's biggest female star of the WWII era. In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. While every effort has been made to follow citation style rules, there may be some discrepancies. Guaranteed competitive hourly wage average wage is $16-$18 an hour, plus an incentive commission and tips! Photograph: Cine Text/Allstar Sat 29 Nov 2008 19.01 EST No 37 Margaret Lockwood, 1916-90 She was born in India, a daughter of the Raj, brought up in England by a cold,. Margaret Lockwood moved to 2 Lunham Rd, London SE19 1AA in 1920. In the 1930s, she appeared in a variety of stage plays and made her name. Lockwood's role as the feisty Harriet Peterson won her Best Actress Awards from the TV Times (1971) and The Sun (1973). Aged four, Julia made her screen debut playing her daughter in Hungry Hill (released in 1947), based on Daphne du Mauriers novel about a feud between two Irish families. Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. [1] In 1932 she appeared at the Theatre Royal, Drury Lane in Cavalcade. Margaret Lockwood as Lydia Garth Paul Dupuis as Paul de Vandiere Kathleen Byron as Verite Faimont Maxwell Reed as Joseph Rondolet Thora Hird as Rosa Raymond Lovell as Comte de Vandiere Maurice Denham as Doctor Simon Blake David Hutcheson as Max Ffoliott Cathleen Nesbitt as Mother Superior Peter Illing as Doctor Matthieu Jack McNaughton as Attendant The amount of cleavage exposed by Lockwoods Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. She had a bit part in the Drury Lane production of "Cavalcade" in 1932, before completing her training at the Royal Academy of Dramatic Art.Her film career began in 1934 with Lorna Doone (1934) and she was already a seasoned performer when Alfred Hitchcock cast her in his thriller, The Lady Vanishes (1938), opposite relative newcomer Michael Redgrave. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. Her body was cremated at Putney Vale Crematorium. The film inaugurated a series of hothouse melodramas that came to be known as Gainsborough Gothic and had film fans queueing outside cinemas all over Britain. Beautician, Beauty Salon, Barber, Hair Stylist. However she was soon to suffer what has been called "a cold streak of poor films which few other stars have endured. They appeared together again in the romantic melodrama The White Unicorn (1947). Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. This is partially dictated by Hollywood's elite. Lockwood had a change of pace with the comedy Cardboard Cavalier (1949), with Lockwood playing Nell Gwyn opposite Sid Field. Location: Fullerton, CA. With smallpox being all but eradicated by the 19th century, the demand for mouches would eventually become nonexistent. Ifyou just so happen to wake up one morning and find a brand new beauty mark staring back at you in the mirror, take note. MICHAEL REDGRAVE & MARGARET LOCKWOOD Character (s): Gilbert & Iris Henderson Film 'THE LADY VANISHES' (1938) Directed By ALFRED HITCHCOCK (Allstar/GAINSBOROUGH) SHE was the Queen Of The Silver . As a result, Margaret took refuge in a world of make-believe and dreamed of becoming a great star of musical comedy. Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of The Beloved Vagabond. The Leons separated soon after her birth and were divorced in 1950. Margaret Lockwood was appointed a Commander of the Order of the British Empire (CBE)[52] in the 1981 New Year Honours. And why do people love them or hate them? Instead she was a murderess in Bedelia (1946), which did not perform as well, although it was popular in Britain.[27]. ", Even by the mid-1800s, not everyone had opened their minds likePepys. It's hard to even imagine Crawford without it. Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. What a time to have been alive. I used to love her films. For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. If you notice your beauty mark starting to lookasymmetrical, theborder or edges are uneven, it has variations incolor, grows indiameter, orevolves over time, you should make an appointment with your dermatologist to get it checked out. Edwards, before she visits Skefko, Vauxhall and Electrolux and two cinemas - the Odeon in Dunstable Road and the Palace in Mill Street, whose manager, Mr S. Davey, had arranged the tour. "[46], The association began well with Trent's Last Case (1952) with Michael Wilding and Orson Welles which was popular. Gaumont extended her contract from three to six years. Switch to the light mode that's kinder on your eyes at day time. England British actress Margaret Lockwood is pictured reading the newspapers as she enjoys breakfast in bed. Margaret Lockwood, an actress who became one of the most popular figures in British films of the late 1940's, died on Sunday. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. She appeared on TV in Ann Veronica and another TV adaptation of the Shaw play Captain Brassbound's Conversion (1953). Please refer to the appropriate style manual or other sources if you have any questions. ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. ]died July 15, 1990, London, Eng. She appeared in two comedies for Black: Dear Octopus (1943) with Michael Wilding from a play by Dodie Smith, which Lockwood felt was a backward step[25] and Give Us the Moon (1944), with Vic Oliver directed by Val Guest. Due to the success of the film, Margaret spent some time in Hollywood but was given poor material and soon returned home. Imagine the awkwardness of having a real beauty mark during this period in history? Margaret Lockwood. Your email address will not be published. She was the female love interest in Midshipman Easy (1935), directed by Carol Reed, who would become crucial to Lockwood's career. Rank was to put her in an adaptation of Ann Veronica by H. G. Wells but the film was postponed. She was meant to appear in Hatter's Castle but fell pregnant and had to drop out. In 1944, in "A Place of One's Own", she added one further attribute to her armoury: a beauty spot painted high on her left cheek. The last flickers of virginal sweetness in Lockwoods persona were extinguished by her portrayals of Hesther and Barbara Worth in morally ambivalent films based on novels bywomen. [5][6][7] This was at 4,000 a year.[8]. Quiet Wedding (1941) was a comedy directed by Anthony Asquith. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as Toots, who was also to become a successful actress. She enjoyed a steady flow of work in films and on television but gained her greatest fulfilment in the theatre. PETA would be none too pleased if women were still applying mouse fur to their faces in an effort to mimic a mole. Kate Upton and Blake Lively have certainly helped the spot stay en vogue today. Long live the mouches! In spite of this, she was warmly remembered by the public. Collect, curate and comment on your files. Lockwood died from cirrhosis of the liver at the age of 73 in London. The amount of cleavage exposed by Lockwood's Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. Julia was born in Ringwood, Hampshire, when her father, Rupert Leon, a commodities clerk, was serving in the army while her mother continued her film career. In 1980, she made her final professional appearance as Queen Alexandra in Royce Rytons theatrical play Motherdear.. She wouldn't have been the only one to fake it, though. The film was the most successful at the British box office in 1946, and she won the first prize for most popular British film actress at the Daily Mail National Film Awards. Our editors will review what youve submitted and determine whether to revise the article. Please like & follow for more interesting content. was margaret lockwood's beauty spot real; was margaret lockwood's beauty spot real. The first of these was Hungry Hill (1947), an expensive adaptation of the novel by Daphne du Maurier which was not the expected success at the box office. Ive been pretty lonely at times.. Instead, she calls it her"forever moving mole" and sometimes draws it on to cover a blemish. Duration is 1 hr., 53 min. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". "[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. In 1948, she made her television debut in the role of Eliza Doolittle in the series Eliza Doolittle. But as the film progressed I found myself working with Carol Reed and Michael Redgrave again and gradually I was fascinated to see what I could put into the part. A visit to Hollywood to appear with Shirley Temple in Susannah of the Mounties and with Douglas Fairbanks, Jnr, in Rulers of the Sea was not at all to her liking. She began studying for the stage at an early age at the Italia Conti Academy of Theatre Arts, and made her debut in 1928, at the age of 12, at the Holborn Empire where she played a fairy in A Midsummer Night's Dream. She taught at her old drama school in the early 1990s and, after the death of her husband in 1994, retired to Spain. What made her a front rank star was The Man in Grey (1943), the first of what would be known as the Gainsborough melodramas. She was known for her stunning looks, artistry and versatility. If you have a real beauty mark, however, you should be aware of what the SkinCancer Foundation calls the "ABCDE" signs of melanoma, the deadliest form of skin cancer. The Leons separated soon after her birth and were divorced in 1950. Some of Lockwood's scenes had to be re-shot for American audiences not accustomed to seeing dcolletages. Your email address will not be published. Lockwoods stage appearances included Peter Pan (194951, 195758), Spiders Web (195456), which Agatha Christie wrote for her, and Signpost to Murder (196263). "[39], She returned to film-making after an 18-month absence to star in Highly Dangerous (1950), a comic thriller in the vein of Lady Vanishes written expressly for her by Eric Ambler and directed by Roy Ward Baker. During her suspension she went on a publicity tour for Rank. Julia Lockwood during filming for the BBC science fiction series Out of the Unknown in 1968. Margaret Lockwood visits Luton on February 16, 1948 to see the town at work and is greeted at the Town Hall by the mayor, Cllr W.J. But what better way to hide one of those "disfiguring scars" than with a cleverly placed beauty mark? The film was shot at Islington studios and was "in the can" after just five weeks in 1937 and released the following year. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. The Getty Images design is a trademark of Getty Images. The film was the most popular movie at the British box office in 1946. Lee dropped out and was replaced by Lockwood. It became her trade mark and the impudent ornament of her most outrageous film, The Wicked Lady, again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. A year later, she married a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. Cindy Crawford, for example, is notorious for her iconic "blemish." Directed by: Leslie Arliss. Jennifer Lawrence, for instance, has been dubbed the"mole-iest" not most beauty-marked sex symbol of all time by Slate because her pigmented spots happened to land not just on her face, but on her neck and chest as well. The enormous popular success of this picture led to her second key role in 1945 (again with Mason) as the cunning and cruel title character of The Wicked Lady (1945), a female Dick Turpin. Omissions? [44], In 1952, Lockwood signed a two picture a year contract with Herbert Wilcox at $112,000 a year, making her the best paid actress in British films. She starred in another series The Flying Swan (1965). Gasp! One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). In the 17th and 18th centuries, smallpox was running rampant in Europe. In spite of this, she was warmly remembered by the public. Simply put, if a person is born with a mole, it is then also considered a birthmark. Margaret Lockwood made her screen debut in the drama picture Lorna Doone in 1934. Salmon patches (sometimes known as "stork bites"), hemangioma (what some people call "strawberry marks"), and port wine stains, are some common forms of vascular birthmarks. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). They did. [2] Lockwood attended Sydenham High School for girls, and a ladies' school in Kensington, London.[1]. In contrast, even natural moles were looked at as "a mark of disgrace," Madeleine Marsh, author of The Compacts and Cosmetics: Beauty from Victorian Times to the Present Day, explained toBBC. "It was the cutest stinking mole, and I was sold," she admitted. In June 1939, Lockwood returned to the United Kingdom. This film also included the final appearance of Edith Evans and one of the later appearances of Kenneth More. Her last professional appearance was as Queen Alexandra in Royce Ryton's stage play Motherdear (Ambassadors Theatre, 1980). [13] According to Filmink Lockwood's "speciality [now] was playing a bright young thing who got up to mischief, usually by accident rather than design, and she often got to drive the action. [1] In June 1934 she played Myrtle in House on Fire at the Queen's Theatre, and on 22 August 1934 appeared as Margaret Hamilton in Gertrude Jenning's play Family Affairs when it premiered at the Ambassadors Theatre; Helene Ferber in Repayment at the Arts Theatre in January 1936; Trixie Drew in Henry Bernard's play Miss Smith at the Duke of York's Theatre in July 1936; and back at the Queen's in July 1937 as Ann Harlow in Ann's Lapse. In 1944, in A Place of Ones Own, she added one further attribute to her armoury: a beauty spot painted high on her left cheek. She likes what she likes, okay? clerk, was educated in London and studied to be an actress at the [47], Her next two films for Wilcox were commercial disappointments: Laughing Anne (1953) and Trouble in the Glen (1954). With the drama picture Bank Holiday, she created a reputation for herself. Later, aged 16 and playing Wendy, she joined her mother in the 1957 Christmas production. Beauty marks may very wellalwaysbe beautiful, but the truth behind them is often less glamorous. This was the first of her "bad girl" roles that would effectively redefine her career in the 1940s. Her beauty is breathtaking; indeed, the viewer can recall that when Caroline (Patricia Roc) Introduced her to . Margaret Lockwood died of cirrhosis of the liver in Kensington, London on 15th July, 1990, aged 73. "Her mole is not part of any formal perfection, but it is also not an ornament," Greenblatt explained. She also doesn't apply the spot in the same place. The Wicked Lady is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwayman for the excitement. She returned to Britain to live in Somerset in 2007. [49], She then appeared in a thriller, Cast a Dark Shadow (1955) with Dirk Bogarde for director Lewis Gilbert. Farid Haddad, managing director of BMA Models, told BBC, "Men and women are both expected to be 'flawless' in the fashion world. I like consistency when it comes to getting my hair done. She is commemorated with a blue plaque at her childhood home, 14 Highland Road in Upper Norwood. Yet much more than Leigh, especially after Scarlett OHara, Lockwood was the kind of girl youd want to walk home from the pictures in the blackout, or, if you yourself were a girl, walk home with arm-in-arm, dodging puddles and drunkenconscripts. Margaret scored another hit with Bedelia (1946), as a demented serial poisoner, and then played a Gypsy girl accused of murder in the Technicolor romp Jassy (1947).As her popularity waned in the 1950s she returned to occasional performances on the West End stage and appeared on television, making her greatest impact as a dedicated barrister in the ITV series Justice (1971), which ran from 1971 to 1974. - makes her the epitome of the British noblewoman. For this, British Lion put her under contract for 500 a year for the first year, going up to 750 a year for the second year.[3]. The film was a critical and box-office disappointment. Streamline your workflow with our best-in-class digital asset management system. If so, please share it with your friends and family to help spread the word. I think they're the cutest thing. Under Queen Victoria's reign,beauty standards left little room for anything but smooth, white skin. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. She had a small role in Who's Your Lady Friend? Much of Shakespeare's work features "figures who are, in the perception of age, 'stained,' and yet whose stain is part of their irresistible, disturbing appeal," according to Greenblatt. It was one of a series of films made by Gaumont aimed at the US market. Her most popular roles were as the spunky heroine of Alfred Hitchcocks mystery The Lady Vanishes (1938) and as the voluptuous highwaywoman in the costume drama The Wicked Lady (1945). Showing Editorial results for margaret lockwood. "I was terribly distressed when I read the press notices of the film", wrote Lockwood. Margaret Lockwood moved out of 30 Highland Rd, London in 1937. [45] Lockwood said Wilcox and his wife Anna Neagle promised from signing the contract "I was never allowed to forget that I was a really bright and dazzling star on their horizon. Her first moment on stage came at the age of 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. had a bit part in the Drury Lane production of "Cavalcade" in 1932, Lady barrister Harriet Peterson tackles cases in London. The film was a massive hit, one of the biggest in 1943 Britain, and made all four lead actors into top stars at the end of the year, exhibitors voted Lockwood the seventh most popular British star at the box office. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. MARGARET LOCKWOOD Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. Barbara insouciantly dons the costume and pistols of a villainous male archetype associated with sexual conquests: the assumption of a highwaymans costume connotes both womens assumption of dangerous jobs formerly done by men and their liberation as sexually independent beings, both products of the war. This inspired the Yorkshire Television series Justice, which ran for three seasons (39 episodes) from 1971 to 1974, and featured her real-life partner, John Stone, as fictional boyfriend Dr Ian Moody. The film's worldwide success put Lockwood at the top of Britain's cinema polls for the next five years. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. 17th-century beauty Barbara Worth starts her career of crime by stealing her best friend's bridegroom. British Parliament wasn't a fan of this tomfoolery, though. She also starred in the television series Justice (197174). A rather controversial biographer once . She travelled to Los Angeles and was put to work supporting Shirley Temple in Susannah of the Mounties (1939), set in Canada, opposite Randolph Scott. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. They write new content and verify and edit content received from contributors. Her likeable core personality made her characters, whether good or evil, easy for women to identify with. her flawless complexion - enhanced by a beauty-spot! These were standard ingnue roles. Italia Conti Drama School. Listing for: Sport Clips - Stylist - CA519. You can play him as a fey creature or right down to earth. Various polls of exhibitors consistently listed Lockwood among the most popular stars of her era: On this Wikipedia the language links are at the top of the page across from the article title. Lockwood had the biggest success of her career to-date with the title role in The Wicked Lady (1945), opposite Mason and Michael Rennie for director Arliss. A year later she married Rupert Leon, a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. She was born on September 15, 1916. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. A vivacious brunette with a beauty spot on her left cheek, she starred in a wide variety of films, notably the wartime thriller Night Train to Munich (1940), the romantic comedy Quiet Wedding (1941), as the husband-stealing murderess in the period melodrama The Man in Grey (1943), Trents Last Case (1952), Cast a Dark Shadow (1955), and as Cinderellas stepmother in The Slipper and the Rose (1976). She refused to return to Hollywood to make Forever Amber, and unwisely turned down the film of Terence Rattigans The Browning Version. Pigmented birthmarks simply mean your spots contain more color than other parts of your skin. For the remaining years of her life, she was a complete recluse at her home in Kingston upon Thames, rejecting all invitations and offers of work. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was an unfit mother. Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. Margaret Lockwood. According toBBC,stars, hearts, and half moons were all popular choices back in the day. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. As stated earlier, Monroe's trademark mole may not have been real. Among her best performances was that in 1938, when Alfred Hitchcock cast her in The Lady Vanishes (1938), opposite Michael Redgrave, then a relative newcomer to Hollywood. Before long, mouches made their way into politics. These days, Rowland doesn't like to leave home without her trusty appliqud beauty mark. And I loved it. Lockwood discusses her upbringing in a Boston area Irish family and her early . Margaret Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. As such, the shape, color, and even texture can vary. Below are some glamorous photos of young Margaret Lockwood from her early life and career. From the books you read to the clothes you wear, there are plenty of ways to make a political statement. Believing she will die, she gives up her lover Kit (Granger) to an actress, Judy (Roc), who is mounting an outdoor production of The Tempest on a rugged Cornwall coastal spot. In 1938, she gave her best performance in the movie Bank Holiday; the film launched Lockwoods career. Ceramic. When a proposed film about Elisabeth of Austria was cancelled,[37] she returned to the stage in a record-breaking national tour of Nol Coward's Private Lives (1949)[38] and then played the title role in productions of J. M. Barrie's Peter Pan in 1949 and 1950. In 1969 she starred as barrister Julia Stanford in the TV play Justice is a Woman. Actors: Margaret Lockwood, James Mason, Patricia Roc.
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